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A matte screen protector can alleviate this problem. The iPad screen is comprised of laminated glass, which is troublesome to use when writing or drawing. Here are a few downsides to consider while deciding if the iPad is right for you: Disadvantages & ShortfallsĪs great as the iPad might be, no device is perfect. At the end of the day, you can transform your iPad into a standalone canvas, or turn it into a productivity tool and go from there. It’s also worth noting that while Astropad Studio can help you transform your iPad to serve as a graphics tablet, it’s just one important function that your iPad can perform as part of your artistic workflow. The iPads you see on the market today are capable computing devices that can fill a variety of roles and niches - including that of a graphics tablet. The product line is over a decade old, and it’s only gotten more powerful with each iteration. It’s hard to ignore the overall versatility of the iPad. Wacom’s MobileStudio Pro manages to replicate this versatility, but only with limited success and you won’t see this kind of flexibility from the Cintiq. Because the iPad functions completely independently from your desktop hardware, you can use it anywhere. Whether you want the latest and greatest apps from Adobe or the best accessories, the iPad tends to be the industry standard for tablet computing. Combined with the iPads 120Hz refresh rate (double what you’d see on a Wacom tablet) and the 1,000,000:1 contrast ratio, Apple technology is cutting edge when it comes to display technology. Display P3 is Apple’s variant on the DCI-P3 color space, and it’s standard on all Apple devices. Procreate, Adobe Fresco, and the Affinity Suite are available, so you can create anywhere, anytime. In addition to using Astropad Studio to convert your iPad into a drawing interface while at home, you can also use drawing apps that are specifically built for mobile devices while on the go. As an artist, this versatility can also influence your creative workflow. ![]() Depending on the suite of applications you download, your iPad can be a productivity tool, an entertainment device, or something more. Each model comes equipped with dedicated processors, onboard RAM, and a high-resolution Retina Display - everything you need to make great art. Modern iPads are powerful computers in their own right. Right out of the box, the iPad can be used as a drawing tablet and, with just a few tweaks, it has the potential to become a powerful workstation whether you’re at home or on the go. Here’s a look at why the iPad is so popular for digital art: Advantages & Strengths It’s the obvious choice if you already own an iPad, especially since it can save you hundreds or thousands of dollars when compared to buying a specialized device. Many art professionals use an iPad equipped with Astropad Studio as a stand-in for a traditional graphics tablet due to the ease of use, simple setup, and powerful features. The iPad is one of the most powerful digital tablets on the market today, and that can’t be overstated. It’s also worth keeping in mind that, regardless of which hardware purchase you make, you’ll still need software to go along with it. Support touchscreen and keyboard shortcuts.Can be used as a second screen (Wacom Intuos excluded).Offer many customizable options for your workflow.Are compatible with both macOS and Windows devices.Before we get started, keep in mind that the tools we’re covering here: ![]() In the next few sections, we’ll cover the pros and cons of each setup. Wacom tablets are powerful graphics tablets that come with a ton of great features for artists at every level, but they definitely aren’t the be-all, end-all of professional hardware that they used to be. If you have a recent iPad Pro or iPad Air, it might make more sense to stick with that and convert it to a drawing tool using an app like Astropad Studio rather than rushing out to buy an entirely new, dedicated device. In many ways, whether or not you choose to go with a Wacom tablet may come down to what you already own. In this article, we’ll take a closer look at both options so that you can make the best choice for your setup. Multiuse tools like the iPad, especially when combined with a stylus and a drawing app like Astropad Studio, can deliver an incredible drawing experience ( here’s an example) without the need to purchase extra hardware. Today, things aren’t as clear because you don’t necessarily need a dedicated drawing tablet to complete your digital workflow. Twenty years ago, Wacom would’ve been the obvious choice. ![]() If you’re a digital artist, you already know that having the best tools at your disposal is essential to producing high-quality work. ![]() Some features require an Apple ID terms apply.12.5GB of available storage (OS X El Capitan 10.11.5 or later)*.If you don’t have broadband access, you can upgrade your Mac at any Apple Store. If you’re running Lion (10.7) or Mountain Lion (10.8), you will need to upgrade to El Capitan (10.11) first. If you’re running High Sierra (10.13), Sierra (10.12), or El Capitan (10.11), upgrade to macOS Catalina from the App Store. Upgrading from an older version of macOS? Click Upgrade Now and follow the onscreen instructions to begin your upgrade. Go to Software Update in System Preferences to find the macOS Catalina upgrade. Then, if your Mac is running OS X Mavericks 10.9 or later, you can upgrade directly to macOS Catalina. Make sure you’re ready to upgrade.īefore you upgrade, we recommend that you back up your Mac. Mac computers with Metal-capable graphics processors (GPUs) can upgrade to macOS Catalina. Chances are, your Mac can run macOS Catalina. Silverlight 3 Download (link not accurate - now gets latest version.) Silverlight 3 for MAC Another (?) Silverlight 3 for Mac Silverlight tools downloads Or if you wish to download the silverlight developer tools, used for developing silverlight applications (in visual studio etc), you may be interested in some of these downloads.ĭownload Microsoft Silverlight for Mac to rich media content plugin for the web.It's just the plugin doesn't want to load. Sorry but I have already the latest Silverlight version on my Mac Mac OS X 10.6.8, all is updated (Firefox & Silverlight).And Sidecar, which lets you use iPad as a second Mac display. Smart new features in the apps you use every day. ![]() Experience dedicated apps for music, TV, and podcasts. When you upgrade to macOS Catalina, you get more of everything you love about Mac. ![]() The guitar will come in two finishes: One is glossy black, and the other is dark wood-grain, the color of a violin. It also works perfectly with the headstock I designed. It’s smaller, sleeker-looking, and very cool. Yamaha has just developed a new tremolo system that uses a lever to lock and unlock the strings, as opposed to wrenches. I wanted it to look “old” in a classic way, but seamlessly incorporate a modern locking tremolo. I wanted a semi-hollowbody with f-holes that also incorporated features from my favorite solidbodies. I wanted an instrument that incorporated my favorite features from every guitar I’ve ever had-all the things I always wished I could transplant from one guitar to all the others. ![]() Yamaha was the first company to say, “We’ll design a guitar with you and make sure it’s perfect. I’ve built a couple of guitars from scratch. Every time I’d tell them that I’d rather make something completely new, they’d back away. But I’d soon find out that what they really wanted was for me to customize one of their existing models. What inspired you to collaborate with Yamaha on the CV820WB?įor a long time, various companies have been asking me to produce a signature guitar. ![]() We recently spoke to Wes about his innovative new instrument. In the meantime, Borland has been touring as bassist with the band From First to Last-and collaborating with Yamaha on his first-ever signature guitar, the CV820WB. The album, produced by band member and longtime Nine Inch Nails guitarist Danny Lohner, is due this fall. “We’ve decided we just can’t work together anymore.”īut fear not, Borland fans: Wes has just completed Cruel Melody, the debut release by his new group, Black Light Burns. “We recently had another falling out,” sighs Wes. But Borland’s on/off partnership with Limp Bizkit frontman Fred Durst now seems to be permanently off. We managed to find an earlier Yamaha interview with Wes Borland, and here’s what he had to say about the CV820WB.Ī decade with rap-rock ruffians Limp Bizkit made Wes Borland one of the most visible guitarists of his generation. The Yamaha CV820WB once again shows that semi-acoustic guitars can rock – and, in this case, rock hard! Other notable design elements include YASH (Yamaha Artist Services Hollywood) designed Custom33 pickups and binding on the inlayed 12-degree angled headstock, F-holes, and beautifully contoured body.Įven those who are not fans or are not familiar with Limp Bizkit can’t fail to recognize the daring design of the CV820WB, a truly unique and surprising guitar that also sounds great, of course! Over the years, many rock bands from Oasis to the Arctic Monkeys have played semi-acoustic guitars, commonly used in Jazz, because of their rich sound. A two-piece carved maple top finishes the instrument, making it a true semi-hollowbody electric guitar. It boasts a distinctive design incorporating Yamaha’s unique Takumi-Kezuri construction in which the back, sides, and center block are all carved from one block of wood (alder, in this case). Borland was intensely involved in every aspect of the design process of his dream signature model guitar from conception to completion. This is one of the most imaginative axes we’ve seen in a long time and for virtually any kind of Rock and Metal it takes the Bizkit!”. Here’s a sample of what Total Guitar had to say: “This guitar supplies a fantastic drop-tuned tone that’s powerful without being murky (Wes tunes to C Sharp!). ![]() Along with high end guitars from Dean and Gibson, the Yamaha Wes Borland signature model, the CV820WB, features in the list – and no wonder! The Yamaha CV820WB is a very unique and surprising guitar: a hollowbody that totally rocks! This month’s copy of Total Guitar magazine features a round up of their 6 favourite guitars of the last year. Click Save to save your new GIF in your GIF folder.When you’ve finished adjusting every setting, be sure to save your new GIF: File > Export > Save for Web (Legacy). This will set your GIF animation to loop. Select Forever at the bottom of the Timeline panel. If you’d like for one frame to appear for longer than another, you can adjust the frame speed individually for each frame. If you need to set a time for each frame, click the drop-down arrow at the bottom of a frame. To do so, simply click Select All Frames in the top drop-down menu. Note: If frames are placed in reversed order, click the Timeline menu > Reverse Frames. Next, make sure you’re in frame view by clicking the icon in the lower right. Then, select Make Frames From Layers in the top-right drop-down menu. Open the Animation Palette: choose Window → Animation (or Window → Timeline) and the Animation Window will appear at the bottom of your screen. You should keep your images aligned so that they transition smoothly from frame to frame. When you open your images in Photoshop, it will create a new file with all the images layered on top of each other.Īs soon as you finish retouching, make sure that your layered file titles are placed in numerical order. In the window that pops up, click Browse and choose a GIF folder that you recently created. Open your files in PhotoshopĪll you have to do is select File → Scripts → Load Files into Stack. Then, copy and paste them into a new folder.Įventually, you’ll get an animated GIF made out of the motionless images of your choice. Create a new folder on your DesktopĬhoose pictures that you intend to use to produce your animated GIF. Your pictures will act as frames for your animated GIFs unless you’re making a GIF from a video. You’ll also discover how to make high-resolution and high-quality GIFs using Let’s Enhance.īefore you begin: no matter which method you use to compile an animated GIF, make sure your picture is ready for the job. Websites such as Giphy and Tenor built on the back of this trend, and Twitter and Facebook also offered native support for the format.This manual will take you through the process of producing GIFs in the blink of an eye with Photoshop or online tools. However in recent years the GIF has enjoyed something of a renaissance as it offered a widely supported and easy to use method for creating short animated clip (or "memes"). In the early '90s GIF's were replace by the new JPG and PNG formats, which offered sharper image resolution and more efficient image encoding. Created in 1987 by CompuServe and developer Steve Wilhite it was designed to save precious memory whilst providing a convenient container to display images. The original intended use of the format was quite different to its use today. The GIF has been around for 30 years and its history is legendary - it has gone from the brink of obsolescence to widespread use thanks largely to the advent of social media and Internet meme culture. The GIF gets its name from the fact it is an image file saved in the Graphical Interchange Format. Because both file elements are compressed, MP4s normally have a smaller file size than many other video formats, but still maintain relatively high quality for sharing online. The video part is usually compressed with MPEG-4, and the audio is usually compressed using AAC, which is the audio format associated with iTunes. MP4 videos are made up of video and audio elements that are compressed separately. MP4 is usually the preferred format for uploading videos to YouTube, Vimeo or other websites. As MP4 is a standardised format, it will normally play easily on most devices and media players, including Windows Media Player, QuickTime, and VLC. It was originally developed by the Moving Picture Experts Group (MPEG) but has become an ISO standard, meaning that it’s now maintained by the International Organisation for Standardization. MP4 was developed to be easily played and shared. MP4, sometimes called MPEG4, is one of the most common video formats. "Homo sum humani nil a me alienum puto" - Publius Terentius Afer * Another COM object registering stuff * OnHungApp handler * Avoid "AutoIt Error" message box in unknown errors * HTML editor * I also encourage you to check awesome * Create COM objects from modules without any demand on user to register anything. I encourage you to read: * Global Vars * Best Coding Practices * Please explain code used in Help file for several File functions * OOP-like approach in AutoIt * UDF-Spec Questions * EXAMPLE: How To Catch ConsoleWrite() output to a file or to CMD * IE Related: * How to use IE.au3 UDF with AutoIt v3.3.14.x * Why isn't Autoit able to click a Javascript Dialog? * Clicking javascript button with no ID * IE document > save as MHT file * IETab Switcher (by LarsJ ) * HTML Entities * _IEquerySelectorAll() (by uncommon) * IE in TaskScheduler * IE Embedded Control Versioning (use IE9+ and HTML5 in a GUI) * PDF Related: * How to get reference to PDF object embeded in IE * IE on Windows 11 * OpenOffice/LibreOffice/XLS Related: 3 * XLS/MDB from scratch with ADOX Wiki:* Expand your knowledge - AutoIt Wiki * Collection of User Defined Functions * How to use HelpFile * Good coding practices in AutoIt * Useful links: * Forum Rules * Forum etiquette * Forum Information and FAQs * How to post code on the forum * AutoIt Online Documentation * AutoIt Online Beta Documentation * SciTE4AutoIt3 getting started * Convert text blocks to AutoIt code * Games made in Autoit * Programming related sites * Polish AutoIt Tutorial * DllCall Code Generator * My contribution to others projects or UDF based on others projects: * _sql.au3 UDF * 3 UDF * RTF Printer - UDF * XML.au3 UDF * ADO.au3 UDF* SMTP Mailer UDF * Dual Monitor resolution detection * * 2GUI on Dual Monitor System * _3 UDF * SciTE - Lexer for console pane * My contribution (my own projects): * Debenu Quick PDF Library - UDF * Debenu PDF Viewer SDK - UDF * Acrobat Reader - ActiveX Viewer * UDF for PDFCreator v1.x.x * XZip - UDF * AppCompatFlags UDF * CrowdinAPI UDF * _WinMergeCompare2Files() * _JavaExceptionAdd() * _IsBeta() * Writing DPI Awareness App - workaround * _AutoIt_RequiredVersion() * 3 UDF * 3 UDF * JavaManagement UDF * VIES over SOAP * WinSCP UDF * GHAPI UDF - modest begining - comunication with GitHub REST API * 3 UDF - A logging Library * Include Dependency Tree (Tool for analyzing script relations) * Show_Macro_3 * Any of my own code posted anywhere on the forum is available for use by others without any restriction of any kind. The Color Finale developer needs to fix this. You have already done some useful isolation steps by verifying it happens with no other effects or plugins. After starting using it on some of my projects FCPX started becoming laggy, crashing and render times take a very long time without having any other plugins on the project.when I am rendering a project, FCPX just crashes in the middle of the render and it clearly blames Color Finale.įinal Cut Pro quit unexpectedly while using the Color Finale Plugin. At this point, I am ready to give up using this altogether If you have any optimization tips you could share that would be great. I was wondering what could be wrong and really didn't want to point fingers (as I know troubleshooting is needed before doing this) but lately, when I am rendering a project, FCPX just crashes in the middle of the render and it clearly blames Color Finale.įinal Cut Pro quit unexpectedly while using the Color Finale PluginĪnd this is all after trashing the preferences PRam resets, SMC resets etc etc.ĭo you guys have any experiences to share? Any workarounds? There's definitely something wrong with CF2.0 from the set go, it doesn't play nicely even on a 16'' 2019 MacBook Pro with dedicated GPU. I was patiently waiting for the updates (so I had to stop using the feature I actually paid more money for: masks), and now am running 2.1.144 on Catalina and FCPX 10.4.8.Īfter starting using it on some of my projects FCPX started becoming laggy, crashing and render times take a very long time without having any other plugins on the project (no tracking or heavy animated titles etc). Many problems, especially when using the Pro version with masking. I bought the plugin the day it was released (long time CF 1.0 user) and quite frankly, I've been underwhelmed. ![]() I thought I'd write over here as I hope that some of you guys will have experience with Color Finale 2.0 ![]() Hundredths for carbon and for oxygen, we're addingĪll of these up together so it's going to be 180. Goes to the thousandths place but we only go to the Six times 12.01 plus 12 times 1.008 plus six times 16 is equal to, and if we're thinking about significant figures here, the molar mass of hydrogen Glucose has six oxygen plus six times 16.00 grams per mole. Times 12.01 grams per mole plus 12 times 1.008 grams per mole plus every molecule of Glucose is going to be six times the molar mass of carbon plus 12 times the molar mass of hydrogen plus six times the molar mass of oxygen. The information we need from our periodic table of elements. Periodic table of elements, it has a molar mass ofġ6.00 grams per mole. Of 1.008 grams per mole, 008 grams per mole. Of 12.01 grams per mole and now we can think about Mass of a carbon atom, or what's useful, and this is where Avogadro's Number is valuable, if you have Avogadro's Number of carbons, it is going to have a mass of 12.01 grams. ![]() We've talked about it in other videos, you could view this 12.01Īs a relative atomic mass of a carbon atom, of as the average atomic Periodic table of elements, has a molar mass of 12.01 grams per mole. So if we first look at carbon, carbon, we see from this So what is the molar mass of glucose? Well to figure that out, and that's why this periodic table of elements is useful, we just have to figure out the molar mass of the constituent elements. Well then we just divide the mass of our sampleīy the mass per mole and we'll know how many moles we have. And so we have a 1.52 kilograms sample of our molecule in question, of glucose so if we can figure out the mass per mole, or another way to think about it, the molar mass of glucose, If I say a mole of something, I'm saying that's Avogadro's ![]() If I said a dozen of something, you'd say oh, that's 12 of that thing. Remember, mole is really, you can view it as a Trying to figure out the number of moles, So like always, pause this video and try to figure this out on your own and this periodic table ofĮlements will prove useful. We are asked to calculate the number of moles in a 1.52 So the final answer should be reported as 180.16 g/mol. ![]() So the 5 digit get upgraded to a 6 in the answer. Since the number we're discarding (6) is larger than 4 we round the digit it is next to up one number. So we only want the 1 and 5 digits and want to discard the 6. But because we only have two decimals digits for the 72.06 and 96.00 numbers, our answer is limited to two decimal digits. So after multiplying Sal is performing this calculation: 72.06 + 84.156 + 96.00, which mathematically would yield 180.156. For addition the sig fig rule is that we can only have as many decimal digits as do in the calculation number with the lowest number of decimal digits. You should look into sig figs in greater detail, but in this problem Sal is adding three numbers together. And the rules we use to judge how many digits are permissible are significant figures, or sig figs. But in science we are more conservative with the digits we use because of the precision of our measuring instruments. After a calculation would be able to use all the digits of the final number as our answer if we only wanted a mathematical answer. It's important to keep in mind significant figures are important for doing calculations in a science like chemistry. ![]() This highly advanced technology, combined with Woodley Equipment's in-house biomedical scientists and medical electronics specialists, provides the ultimate combination of patient testing for your clinical trial. G3+: pH, pCO2, pO2, TCO2, HCO3, BEecf, sO2ĬG4+: pH, pCO2, pO2, TCO2, HCO3, BEecf, sO2, LactateĮG6+: Sodium, Potassium, Haematocrit, Haemoglobin, pH, pCO2, pO2, TCO2, HCO3, BEecf, sO2ĮG7+: Sodium, Potassium, Ionised Calcium, Haematocrit, Haemoglobin, pH, pCO2, pO2, TCO2, HCO3, BEecf, sO2ĬG8+: Glucose, Sodium, Potassium, Ionised Calcium, Haematocrit, Haemoglobin, pH, pCO2, pO2, TCO2, HCO3, BEecf, sO2Į3+: Sodium, Potassium, Haematocrit, HaemoglobinĮC4+: Glucose, Sodium, Potassium, Haematocrit, HaemoglobinĦ+: Urea Nitrogen, Glucose, Chloride, Sodium, Potassium, Haematocrit, HaemoglobinĮC8+: Urea Nitrogen, Glucose, Chloride, Sodium, Potassium, Haematocrit, Haemoglobin, pH, pCO2, TCO2, HCO3, BEecf, Anion GapĬalculated tests: TCO2, HCO3, BEecf, sO2, Anion Gap, Haemoglobin ![]() The SDMX Istat Toolkit is an open project published on GitHub, and contributions from programmers are welcome.Communication link: Infrared transmitter and receiverĬalibration: Factory - electronic, mechanical, thermal, pressure It extends the Eurostat SDMX-RI functionalities, allowing to handle the whole dissemination process in a “metadata and SDMX driven” manner: creation of a new SDMX compliant dissemination database and/or mapping of an already existing database, metadata management, data modelling, data browsing and visualization. Operating system(s): Windows Seven or sup, Windows Server 2008 or sup. Output format(s): SDMX 2.0, SDMX 2.1, RDF, Google/DSPL, CSV, JSON A data user” can: switch between the available dashboards switch between different distributed databases (web services) browse one or more tree-themes and select the dataset of interest ( the same leaf-tree, can categorize datasets coming from different databases) set filter for each dataset specify the layout of the table calculate cyclical and trend variation create graphs store queries (only for authenticated users) that can be used in other working sessions. it can be used within a single Organization in order to disseminate datasets stored into one or more databases, or in the context of a “multi-source” project (Hub architecture), where more Organizations expose their databases through SDMX Web Services based on the SDMX-RI.
![]() Premiere Pro is available as a monthly subscription that can cost anywhere between $20.99 and $600 per month. The price comparison is essential in the Adobe Premiere Pro vs. Final Cut Pro : which one is the most affordable ? However, this advantage has a disadvantage: if Apple makes changes to the hardware chipsets, Premiere might take time to catch up. Premiere is supported by both Windows and Mac, but Final Cut Pro is only supported on Mac. This apparent difference is an essential factor. Premiere is an Adobe product, and Final Cut Pro is an Apple product. Blu-ray recorder required for burning Blu-ray discs.Product difference between Premiere Pro and Final Cut Pro Some features require Internet access fees may apply. System Requirements: macOS 11.5.1 or later, 4GB of RAM (8GB recommended for 4K editing, 3D titles, and 360° video editing), Metal-capable graphics card, 1GB of VRAM recommended for 4K editing, 3D titles, and 360° video editing, 4.5GB of available disk space. Import and export XML for third-party workflows like color grading and sound mixing. ![]() Export audio stems and multiple versions of a finished video using roles metadata.Incredibly fast export for playback on Apple devices and upload to websites such as Vimeo and YouTube.Accurately view HDR on the MacBook Pro and Pro Display XDR.Powerful color wheels and curves for precise adjustments with keying and masks.Import, edit, and deliver video in standard color spaces, or in Rec.Sync video with separate audio in a single step with instant audio waveform matching.Apply intuitive Logic-based effects and reduce background noise to isolate voices.Expand and edit multichannel audio files directly in the timeline.Assign roles during import to easily track and organize your project.Choose from an ecosystem of third-party FxPlug plug-ins with custom interfaces.Change the look of titles, transitions, and effects using intuitive controls.Beautifully animated, easily customizable 2D and 3D titles.Work with a broad range of formats including ProRes, RED, XAVC, AVCHD, Avid DNxHR®, Avid DNxHD®, H.264, HEVC, and more.Unrivaled performance with optimizations for the M1 Pro, M1 Max and M1 Ultra chips on the new Mac Studio and MacBook Pro.Improved speed and efficiency on Mac computers with Apple silicon.Locate duplicate media in the timeline using highlighted clip ranges or the Timeline Index.Smart Collections dynamically organize content for you to quickly find any shot in a few clicks.Apply custom keywords or favorites on the fly as you select clip ranges.Create proxy copies of your media for portability and performance.Organize your work within libraries for efficient media management and collaboration.Extend the capabilities of Final Cut Pro with third-party workflow extensions. ![]()
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